Faces, gestures, bodies.
Reject psychology.
Empty the inner meanings of
the gestures and impulses.
Not knowing the
mechanics of choice.




No character, no self.
A creation of subjectivity through filming.



People and relationships
constantly in construction.
Truth / Fakeness.
The promise of a fiction.
Sub-narratives.




Tension, vulnerability, exposure to the other
and to the camera, ongoing rupture, misunderstanding and indeterminacy.
No stable response to an intention.
The camera’s potential to interfere with the improvisation of the performers.






To move within dissatisfaction.
(the inconvenience of other people)


To create the conditions for something to
emerge, to articulate new meanings or to
dislocate the subject of meaning altogether.
The performers acknowledge the camera and
the viewer’s presence - uncomfortable physical responses to the act of being filmed and
encaged, or to the feeling of being “unmasked.”

TRAILER

Last video of my research
practice in a.pass
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OUCH! OR DEATH, LOVE AND SEX IN A ROOM IN AMERICA OR A VIDEO WITHOUT FOCUS
(98min)
by rui calvo with andrea zavala folache caterina mora diego echegoyen federico vladimir strate pezdirc
flávio rodrigo lilia mestre lucia palladino nathaniel moore sara manente